All Jane! No Dick!

~THE BEST OF THE BEST OF WOMEN IN COMEDY~
~~OCTOBER 17-20 IN NORTHEAST PORTLAND~~
Innovative, hilarious comedians coming together to perform, discuss, inform, and inspire. A four-day festival featuring stand-up, sketch, improv, panels, workshops, and a documentary screening.

The first and only festival of its kind, this four-day event presents a carefully curated blend of the best up-and-coming comedic performers and nationally headlining comics from New York, Los Angeles, San Francisco, Austin, Chicago, and beyond.

This year’s lineup includes Bonnie McFarlane (HBO One-Night Stand, Late Night with Jimmy Fallon, Last Comic Standing), Lauren Lapkus (Orange Is the New Black, The To-Do List, Are You There Chelsea?), Cameron Esposito (The Late Late Show with Craig Ferguson, “Put Your Hands Together”), and Aparna Nancherla and Janine Brito (writers and performers on Totally Biased with W. Kamau Bell). Local performers include Portland staples Whitney Streed, Stacey Hallal, Barbara Holm, JoAnn Schinderle, Susan Rice, Amy Miller, and expatriate Virginia Jones.

The goal of this festival is to celebrate the unique voices of women in comedy, providing inspiration and increasing visibility for the top performers of today and tomorrow. It encourages collaboration and dialogue and highlights the great diversity of artistic approaches amidst female comedic performers today.

A Henchman’s Letter

First of all, let me say, I’m really excited to be joining your team of henchmen.  When I saw the ad on Craigslist, I thought, this might be my path out of depression, self-destruction, and debt, and I get my own leather jumpsuit!   I’m excited about backing you up when you show up places and make big pronouncements and call for the action of the Target so that we can lure him into a trap.  I’m proud to be your muscle and your backup.  You’re a big man, and I love being a part of the operation you’re building here.   That  being said, I want to clarify your expectations of me.

1. I’m a minor character, so I’m never going to be a sureshot.

If I’m shooting at your Target, I’m never going to so much as wing him.  I’m a minor character.  I am only ever referred to as HENCHMAN #2.  I’m never gonna land anything, no matter how many hours I spend on the firing range.  If I’m lucky, I’ll accidentally shoot another henchman and he’ll yell at me for comic effect.

2. If the Target seriously hurts me, I’m going to go seek medical attention, not fight him to the death.

I’m an hourly employee.  I’m not going to risk my life on this shit.  If I’m losing blood and fighting the Target on top of a collapsing tension bridge?  I’m gonna get the fuck off the bridge and get some stitches and some painkillers and go home and watch The Voice.  

 I’m not your Mom.  I’m not motivated by superhuman loyalty or revenge.  I’m working for just over minimum wage.   I don’t even get Medical, we’re all independent contractors because Aetna would be really curious about all the claims your henchmen make for being strangled and shot and burned and bitten by sharks.  It’s not worth it.   You didn’t know I loved The Voice?  There’s a lot you don’t know about me.  Work-life balance.  Look it up.

3.  Lastly, I’m human.  I make mistakes.  When I tell you that the Target has escaped and I honestly apologize and tell you it won’t happen again, don’t tell me you know it won’t and be creepily affectionate towards me (which I LOVE, I didn’t grow up with a Dad, obviously) and then kill me.  I’m doing the best I fucking can.  Your Target is an Oxford-educated international spy in constant contact with a support network keeping track of his every move and feeding him information.  You know I didn’t even finish high school, man.

Thanks so much for reviewing this!  Now, let’s get out there and build an evil empire!

Regards, Henchman #2

Drunken Tales!

This is one of my favorite lifetime stories, which I presented at Mike O’Connell’s Drunken Tales of Glory and Shame.

Now, I’ve enjoyed this night several times, and the theme of the stories tends to be the indiscretions of youth, so I’d like to open with a story from a month ago. 

I asked a boy to meet me out, and when I got there, he was sitting with a couple I knew and also another girl, so I punished him by drinking several drinks very quickly, and when the DJ asked me if I smoked pot, I said of course I do, I’m a cool person!  And I don’t smoke pot, because I’m bad at it.  I took one hit and immediately became horizontal.  I crawled to my car and threw up in a parking lot.  He texted me and said “you disappeared” and I said “you had a date already” and he replied “not a date, just a friend” so I thought “tell that to her face”, and then I took a four hour car nap like a classy lady.

It’s just that in the first year of life, you get a million times smarter, and then the next year you learn to walk and talk, which you’ll need every day forever, and from the 20th to 30th year, you get a little smarter, but now I get only a hair smarter every year.  You can’t expect to get that much smarter every single year.  This year I learned about not parking on Wilshire after 4pm and that’s it.

But this is also a story from my youth.

One time I was at a rave in an industrial park in Dallas, TX, and I was on acid and vodka, and we had been dancing all night to the Good Vibe Tribe, two DJ’s from England with floppy hair,, and  it was getting early in the morning, and two gays were on the dance floor, whipping an incoherent fashion model with her own wig, you know, it was THAT time of the night, and these two guys tell my friend the drugs dealer that they want to buy some Ketamine. 

My friend Special Keith, and we called him special Keith because he was the only Special K or Ketamine dealer in Dallas, and we thought we were very clever, he says, come with me, and I guess I’m supposed to be the muscle or something, but it turns out I’m bad at it.  I’m all gacked up,we get round a corner,  and these guys pull a gun and say give us all your drugs, and Keith, who is on ketamine, that he’s named after,, says, “you can’t shoot me, I’m special Keith!” and grabs for the gun and the gun goes off and the guys run off and there we are, standing on the street corner, and he says, did you get shot? 

And I say no, did you get shot? And he says yes, I’m shot, and I laid him down on the ground and called for help, and the DJ’s appear and put an airline pillow under his head, and I go to call an ambulance from a payphone.  Kids, this is the 1990’s, and everyone didn’t have a cell phone.  Keith had one because he was a drugs dealer, but I didn’t have one, because I was a fashion design student, and I walk up to the closest pay phone and call and explain that my friend has been shot, and there’s no street address but if the ambulance can meet me at the closest intersection  I can guide them to where he is.  The operator says, snidely, you’re calling me from a Hooters.  I said, does that mean he hasn’t been shot, because that would be great!  That would be my preference!  Are you magic?

Ambulance comes, and Keith gets in, and my friend Mel, and some girl that was with the Good Vibe Tribe and I’m staring daggers at this whore, and the nurse is telling Keith, we need to know what you’re on, we won’t tell the police but we have to know so we can treat you, and he goes through this shopping list- a little K, a little coke, some cocktails, some more K, some acid, some hash, some more coke- and the nurse does have to admit that it was pretty clever of Keith to take massive painkillers before being shot, because he’s  really in no pain at all, and it probably helped him from going into shock.  

 We get to the hospital and he’s admitted and I get to enjoy the county public hospital and do a police report and see a man with elephantitis of the legs, no ankles at all, just knees to feet the same circumference,  shuffling down a hallway, all on acid, at 9AM Sunday morning.  And it’s great.  And that’s how I know I can’t have a bad trip.  I’m un-bad-trippable.  The girl from the Good Vibe Tribe says, where did they take him?  And I said, into ER, whore, and she says, I have to get that pillow back.  There’s 300 hits of acid sewn into it.

A couple hours later, a nurse sees us in the hallway and says, you can go see your friend now, and I was all, how does she know who our friend is, and Mel says, you’re dressed like Raggedy Ann on a bad trip and you have yarn in your hair, and I say fine, and we go see Keith, who has had ALL his piercings removed for X-rays and is almost unrecognizable. 

As it turns out, if the bullet had gone a little higher, it would have bust a kidney, and a little lower, it would have shattered his hip, and so for a long time we said he was a boy saved by platform shoes.    Shortly after that, he stopped dealing drugs and started being a realtor, which is less dangerous.  Also, when we were at the hospital, his mother said “you’re the last of my kids I ever thought would get shot!” and he said “Mommm, that’s what you said when I was sold into white slavery!

CATFACE Attack- Or, How Can This Entire Forever 21 Be The Same Thing?

cat face designs forever 21

I stopped into Forever 21 to see how cheap jeans could possibly get ($7!). That’s not a clearance price. These pants were designed into a seven dollar price point.

Let’s talk about how you make a seven dollar jean. So, it’s an in-house label, so there’s no retail markup. OK, it’s made in Bangladesh. They move the fiber content to hit the lowest duty possible. The fabric costs about a buck a yard. So, if we can accept a loss leader margin of 20%, then we can get labor at about a buck fifty. Buttons, labels and shit are a quarter. You’re never going to wear seven dollar jeans. You’re just buying them because they’re seven dollars. Leave them there. Nobody has ever seen them outside of the store. They suck.

Catface

Next, I saw some t-shirts with a tiger on them. Dresses with a tiger.  And tanks.  More cat t-shirts.  Then leopards.  A cougar.  What might have been a lynx.  Catfaces.

 Twenty catfaces were seen in the wild at the Los Cerritos Forever 21.  20% of the items for sale had some kind of catface on them.

It was as if every Forever 21 designer, in every category, was told that if their product for back-to-school didn’t have catfaces, they would be killed.

TREND REPORT: MANDATORY CATFACE

I can picture a poor designer mussing their trendy haircut and crying, “Look, I didn’t want to make a catface sweater, but I have a family!”

Now, just coming from the Fuck Yeah Fest, a ten year event based in Los Angeles, the only city with so little self-awareness it would name something that, it’s evident that young women’s fashion is pretty homogeneous.

Fast Fashion

Forever 21, Urban Outfitters, and H&M all make several lines a season, and, due to identical trend research, they tend to all look the same.  Looking around the festival, you can see the options: short jean shorts, floral rompers, circle shirts, crop tops, short dresses with the waist between the waist and the armpit, and maxi dresses.  That’s it.  Those are the only things available.  There wasn’t one pair of low-rise denim shorts.  Not one, even though they were ubiquitous a few years ago.

A month ago when I went to So You Think You Can Dance, it was all dresses who were short in the front, and long in the back, schlong dresses that don’t look good on anyone.  Also, lace and the color hot salmon.  These things are gone now.  It’s not that girls are scared of wearing last month’s clothes so much as the things they wear deteriorate by their next period.

Anyway, if you find yourself with the back-to-school crowd, they may look like a bit like a National Geographic special.

Hooray!

Les Savy Fav at FYFFest: Things That Happened

The fat man came onstage in a poncho.  He took it off and spoke to us about free love.

The fat man was wearing a tie-dyed top, which he raised and began to soulfully fuck his own belly button with his finger.

The fat man took the top off to reveal a silver unitard, which he grabbed his crotch through.  He left the stage to clamber up a tree.

The fat man climbed into a tree and hung upside down in a silver unitard.

The fat man asked for all the lights to be turned off, and asked for flashlights.  He put one in his crotch.

The fat man got down to his underpants and sang to us.  He stood onstage with the unitard pulled down to his knees and danced under the lights, his sweaty torso gleaming in the lights.

The fat man draped himself in a beige dress, which he pulls up to his tits.

The fat man produced an 8 foot ladder.

The fat man sat onstage and decorated himself in 3/8” black electrical tape.

The fat man started to climb the ladder.  A roadie tried to steady the ladder while the fat man got on the top rung and was shooed away.  He stood on top of the ladder, singing majestically, while I worried that he would fall off.

The fat man tried to jump off the ladder and land on his feet, but had to tuck and roll.  He lays, grandiose and Dionysian, upon the stage and didn’t stop singing.

The fat man produces a tiny striped sweater.   He starts trying to put the sweater on.  The armpit rips out but he gets into it.

The fat man produced a box of toilet paper and threw it to the crowd, so that we could pitch it through the air in arcing parabolas, shedding twisted paper paths.  I caught one but I throw it too straight and it doesn’t unravel much.  I think this is because I never threw footballs.  The empty box that used to hold the toilet paper is also passed around the audience, apropos of nothing, until it hits a girl in the head and we drop it.  I am impressed that one forcefully thrown bog roll lands on the top of the giant truss that forms the top of the stage rig.  It’s a beautiful moment but I also reflect on the fact that all of the bathrooms will be out of toilet paper by the last show, and we could have used it.

The fat man announced that it was the last song.  I was caught admiring the tendrils of toilet paper everywhere and missed the moment when he laid the folded-up ladder on top of the crowd, climbed atop it, and made rowing motions until the people below began transporting him through the crowd.  I walked over to where it was happening and was amused by the sea of people taking photographs of the event.  We could probably make a 360 degree hologram of it at this point in composite.

It was amazing.

Baby Wants Pole

poledancer

Baby Wants Pole

It’s honest, is what it is. A cheerful, grinning pole dancer is the only female role model America really wants. That’s why Miley Cyrus got on on a pole at 16 at the 2009 Teen Choice Awards, and why she was cheerfully twerking on Robin Thicke’s crotch at the VMA’s in 2013.  (And don’t worry, everyone acted like they were outraged in 2009, and her Dad acted embarrassed and said “I don’t know where she learned that” and the answer was, then too,  “from her choreographer that painstakingly created the routine.”)  

That’s why Britney was on a pole when she was 18 and one second. We might be living through another Republican White House if Sarah Palin had just dropped the soundbites and climbed a pole. These things don’t come from nowhere and marketing doesn’t lie.  Don’t pretend you’re shocked.  Don’t pretend to be surprised when teen idols play strippers, again and again-  Performers do what is asked of them.  Feminism has fallen down gone boom and we all need to pick it the fuck up.

For one second, think about whether you, as a person with lady parts, have ever said “It’s fun to go to the strip club an’ get attention from the dancers!”, or said “Those Suicide Girls seem pretty self-actualized, because having tattoos means you’re your own person!” and realize that you might be part of the problem. Being comfortable with your own body and sexuality has gotten confused with being porn-positive and chauvinist-friendly to an uncomfortable degree.  Moby tried to bring up how misogynist the Robin Thicke video for Blurred Lines was, and everyone shouted him down like he was an asshole.  I’m not talking about suppressing freedom of expression, and I’m not saying you shouldn’t do exactly what pleases you- I’m just saying, if you don’t like the society we’re living in, own your part in creating it.

And girls, you don’t have to let boys grind on you at a club if you don’t want them to.  You don’t have to send them nude pictures on your phone.  And for chrissakes, don’t laugh at them if they aren’t funny.

Hey! Serious for a second! That was weird, huh.

Besides, the VMA’s are where fake scandals are made.  Sacha Baron Cohen putting his balls in Eminem’s face.  Kanye cockblocking Taylor Swift.  Russell Brand joking about the Jonas Brothers.  Diana Ross grabbing lil Kim’s boob.  Madonna humping the floor.  Courtney Love dissing Madonna.  Madonna kissing Britney.  Lady Gaga wearing a meat dress.  What’s it gonna be next year?  More importantly, how long are you rubes gonna keep walking down the midway?

Camp KP3D

So, I was out in the Catskills, and we made movies with our phones, and played with a dog, and sat around a campfire, and heard all about chemtrails.  Thanks to everyone.

This is the film I made about the history of the campsite, Cold Spring Lodge.

Here is a post with all our movies, they make mine make a little more sense but not much more.

Thanks to all.

Thanks go to:

Thanks to Pony for teaching me the eternal optimism of the little dog at the dinner table.
Thanks to Lisa Beth Johnson for making me want to throw up by putting tinfoil in her own mouth, and also for lending Sofiya a dance dress
Thanks to Sofiya Alexandra for being my best girl, but reminding me that Todd is always around to steal my best girl
Thanks to Brandon Vaughn for letting me know I should never take him to Brunch, and for never being more than one moment from mentioning Wolverine or Anne Rice
Thanks to Dennis DiClaudio for filming my clown obsession projected from his own brain, and for teaching me that odes to gothgirls and sea shanties should both be waltzes
Thanks to Matt Tobey for his amazing acting and joke writing.  Like, wow.
Thanks to Franky Pelvis for letting me sing A-Ha and Bowie and Pixies/JAMC with him, and letting me play his guitar when I whined about it, and in general for rocking
Thanks to Mike Wiebe for making me feel like a woman.
Thanks to Jason Roeder for teaching me to walk like a man.
Thanks to Josh Abraham for being me cameraman and wingman, and for drawing me as a drag Cruella De Vil.
Thanks to Todd Sentz for teaching me what it might be, after all
Thanks to Steve Douglass for helping me write the women’s lib porn that’s gonna set the industry on its ear.
Thanks to Ahm Seventysix for being the roommate who listens to the much cooler dead person, and for teaching me what a well-orchestrated look is.
Thanks to Darci Ratliff for your amazing work, games, Mad-Libs, organization, and for bringing us together.